THE MAN WHO WASN'T THERE uses stunning black-and-white cinematography to evoke the memory of classic American film noir, but presents its story with a modern sensibility. 好好的分鏡/用色參考 (睇呢套戲要思考的可能是其他角色看主角的角度而不是主角的角度)
What a journey it's been. If there’s any true logic to the universe… we’ll end up on that bridge again someday. Admit it, Spock. For people like us, the journey itself… is home.